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Re: Israel Dropped The Atomic Bomb on Gaza

Cross-posted to 3 groups.

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OPINION
REVIEW & OUTLOOK
Follow
About Those Beachfront Gaza Condos
Critics deride Trump’s idea, but what are they offering Palestinians?
By
The Editorial Board
Follow
Feb. 5, 2025 5:52 pm ET


https://www.wsj.com/opinion/donald-trump-gaza-hamas-palestinians-relocate-israel-benjamin-netanyahu-82f40f95?mod=hp_opin_pos_2#cxrecs_s



The Starmaker wrote:
> 
> Of course I have always said they should send US troops to GAZA to
> protect the Palestine people from genocide.
> 
> Israel loves to kill babies, women and children...
> 
> (i don't know if an Israeli soldier EVER killed a Hamas guy)
> 
> I never seen an Israeli soldier shoot or fight with a Hamas guy.
> 
> They shoot babies cause machine guns are too heavy for 6 month year old
> babies to carry.
> 
> https://x.com/Starmaker111/status/1887278163383988527
> 
> The Starmaker wrote:
> >
> > Trump says US will take over Gaza Strip, create 'Riviera of the Middle
> > East',
> > You guys know I always called it from the very beginning... a Miami
> > Hilton Hotel on Gaza beach
> >
> > Trump's Gaza
> >
> > Trump's Gaza??? d id they speled Plaza wong??
> >
> > https://x.com/Starmaker111/status/1887278163383988527
> >
> > On Mon, 01 Jan 2024 16:48:39 -0800, The Starmaker
> > <starmaker@ix.netcom.com> wrote:
> >
> > >In other words, according to Albert Einstein (the man who built the atomic bomb)...
> > >
> > >By mid-December, Israel had dropped 29,000 bombs on Gaza. That is EQUAL to 2 atomic bombs!
> > >
> > >
> > >i think they manage to kill one Hamas guy in all that...maybe two.
> > >
> > >
> > >
> > >and a few hostages.
> > >
> > >the rest all women and children.
> > >
> > >
> > >Grey Rain
> > >
> > >
> > >
> > >
> > >The Starmaker wrote:
> > >>
> > >> https://www.wsj.com/world/middle-east/gaza-destruction-bombing-israel-aa528542?mod=world_lead_pos4
> > >>
> > >> The war in the Gaza Strip is generating destruction comparable in
> > >> scale to the most devastating urban warfare in the modern record.
> > >>
> > >> By mid-December, Israel had dropped 29,000 bombs, munitions and shells
> > >> on the strip. Nearly 70% of Gaza’s 439,000 homes and about half of its
> > >> buildings have been damaged or destroyed. The bombing has damaged
> > >> Byzantine churches and ancient mosques, factories and apartment
> > >> buildings, shopping malls and luxury hotels, theaters and schools.
> > >> Much of the water, electrical, communications and healthcare
> > >> infrastructure that made Gaza function is beyond repair.
> > >>
> > >> https://www.wsj.com/world/middle-east/gaza-destruction-bombing-israel-aa528542?mod=world_lead_pos4
> > >>
> > >> they are asking for it ain't they????
> > >>
> > >> On Sat, 30 Dec 2023 15:54:34 -0800, The Starmaker
> > >> <starmaker@ix.netcom.com> wrote:
> > >>
> > >> >On Sat, 30 Dec 2023 13:17:13 -0800, The Starmaker
> > >> ><starmaker@ix.netcom.com> wrote:
> > >> >
> > >> >>"The roads were empty!" he recalled in an interview. Roughly seven hours into the fighting, he turned to the reservist next to him and asked: "Where’s the I.D.F.?"
> > >> >>
> > >> >>https://dnyuz.com/2023/12/30/where-was-the-israeli-military/
> > >> >
> > >> >
> > >> >Title: "Oct 7th" The Movie, "Where’s those I.D.F. PUSSIES?"
> > >> >
> > >> >Genre: Political Thriller/Drama
> > >> >
> > >> >Logline: In the aftermath of a devastating surprise attack by Hamas,
> > >> >an unprepared Israeli military faces chaos and internal breakdown. As
> > >> >desperate citizens call for help and casualties rise, a New York Times
> > >> >investigation reveals a shocking lack of planning and organization
> > >> >within the military. The film unfolds the events of October 7th,
> > >> >exposing intelligence missteps, communication breakdowns, and
> > >> >strategic errors that led to the failure of Israel's most advanced
> > >> >military in its fundamental mission: protecting Israeli lives. As the
> > >> >nation grapples with the aftermath, questions arise about the
> > >> >military's hubris, misjudgments, and the high human cost of a
> > >> >disastrous lack of preparation.
> > >> >
> > >> >Treatment:
> > >> >
> > >> >Act 1: The Calm Before the Storm
> > >> >
> > >> >Opening Scene: The Pit in Tel Aviv (Establishing Shot):
> > >> >
> > >> >We open in the classified military bunker known as The Pit, where
> > >> >Israeli commanders are attempting to decipher early reports of rocket
> > >> >fire from Hamas in southern Israel. The atmosphere is tense, and
> > >> >intelligence reports are conflicting.
> > >> >The Mysterious Call:
> > >> >
> > >> >A commander from the division overseeing the Gaza border calls in,
> > >> >reporting an attack on their base. The scale is unclear, and panic
> > >> >sets in as the military leaders realize they are unprepared.
> > >> >Deployment Orders:
> > >> >
> > >> >An hour after the attack begins, The Pit issues its first deployment
> > >> >instructions. Emergency forces and available units are ordered
> > >> >southward. The chaos and urgency of the situation are palpable.
> > >> >Citizens in Desperation:
> > >> >
> > >> >Cut to scenes of desperate Israeli citizens fending for themselves.
> > >> >The first signs of the military's slow response become apparent as
> > >> >casualties mount. The sense of vulnerability grows.
> > >> >Act 2: The Investigation Unfolds
> > >> >
> > >> >The New York Times Investigation Begins:
> > >> >
> > >> >Transition to The New York Times newsroom. Investigative journalists
> > >> >dig into the events of October 7th, obtaining internal Israeli
> > >> >government documents and footage from the military's Pandora archive.
> > >> >Military's Organizational Failures:
> > >> >
> > >> >The investigation reveals the military's undermanned state, soldiers
> > >> >communicating through impromptu WhatsApp groups, and reliance on
> > >> >social media for targeting information. The lack of a plan for a
> > >> >large-scale attack shocks the nation.
> > >> >Hubris and Misjudgments:
> > >> >
> > >> >Interviews with former generals highlight the deviation from Israeli
> > >> >military doctrine, emphasizing offensive strategies and anticipating
> > >> >attacks. The authorities' dismissal of Hamas' capability for a massive
> > >> >invasion is portrayed, adding layers to the unfolding crisis.
> > >> >Act 3: The Day of Chaos
> > >> >
> > >> >Soldiers on the Ground:
> > >> >
> > >> >Flashbacks depict soldiers receiving inadequate information and
> > >> >deploying without proper equipment. The chaos and confusion among
> > >> >troops become evident as they improvise responses.
> > >> >Maglan's Unlikely Source:
> > >> >
> > >> >The elite Maglan commando unit turns to a civilian, Refael Hayun, who
> > >> >watches the attack unfold on social media. His messages become a
> > >> >lifeline for the commandos on the ground, illustrating the breakdown
> > >> >in traditional military communication.
> > >> >Understaffed and Overwhelmed:
> > >> >
> > >> >The film explores the consequences of the military's understaffing on
> > >> >the day of the attack, showing the severity of the situation at key
> > >> >military bases like Re'im. Interviews with soldiers reveal the
> > >> >preventable scope of the catastrophe.
> > >> >Act 4: The Fallout
> > >> >
> > >> >Blindspots and Communication Breakdowns:
> > >> >
> > >> >The assault on Re'im is detailed, showing how the military's
> > >> >headquarters became a battleground. The film explores the blind spots
> > >> >in communication, misreading intelligence, and the fatal consequences
> > >> >of not heeding warnings.
> > >> >Heroes in the Chaos:
> > >> >
> > >> >Despite the chaos, individual acts of heroism are highlighted.
> > >> >Soldiers improvise and adapt, showcasing the resilience of the human
> > >> >spirit in the face of unexpected adversity.
> > >> >Act 5: Searching for Answers
> > >> >
> > >> >The Aftermath:
> > >> >
> > >> >As the military regains control, the aftermath reveals the true human
> > >> >cost of the attack. Families mourn lost loved ones, and the nation
> > >> >demands answers.
> > >> >Government Inquiry:
> > >> >
> > >> >The Israeli government promises an inquiry, and scenes unfold in
> > >> >courtrooms and inquiry rooms as officials try to understand the lapses
> > >> >that led to the tragedy.
> > >> >Closing Scene: Lessons Learned:
> > >> >
> > >> >The film concludes with a somber reflection on the lessons learned
> > >> >from the events of October 7th. It poses questions about the price of
> > >> >complacency, the consequences of underestimating threats, and the
> > >> >necessity of being prepared for the unseen.
> > >> >"Oct 7th" is a gripping political thriller that explores the
> > >> >real-world consequences of military unpreparedness and the human toll
> > >> >of strategic misjudgments. It delves into the intricate web of
> > >> >intelligence, communication, and decision-making, unraveling a story
> > >> >of tragedy and resilience.
> > >> >
> > >> >
> > >> >
> > >> >Title: "Oct 7th"
> > >> >
> > >> >Genre: Political Thriller/Drama/War Drama
> > >> >
> > >> >INT. THE PIT - TEL AVIV - NIGHT
> > >> >
> > >> >The underground bunker buzzes with activity. COMMANDERS scramble to
> > >> >make sense of reports of Hamas rocket fire. An urgent call comes in
> > >> >from the division overseeing the Gaza border.
> > >> >
> > >> >EXT. MILITARY BASE - GAZA BORDER - DAWN
> > >> >
> > >> >Soldiers awake to the sounds of an attack. The base is under siege,
> > >> >but the scale is unclear. The COMMANDER pleads for reinforcements.
> > >> >
> > >> >INT. THE PIT - TEL AVIV - DAY
> > >> >
> > >> >Hours later, The Pit issues deployment orders. Emergency forces and
> > >> >available units are instructed to head south. Unbeknownst to them, an
> > >> >invasion of Israel is already underway.
> > >> >
> > >> >EXT. ISRAELI TOWNS - MORNING
> > >> >
> > >> >Desperate citizens fend for themselves. The military's slow response
> > >> >becomes evident as casualties rise. The chaos grips the nation.
> > >> >
> > >> >INT. NEW YORK TIMES NEWSROOM - DAY
> > >> >
> > >> >Investigative journalists, led by SARAH (early 40s), pore over
> > >> >internal Israeli government documents and Pandora archive footage.
> > >> >
> > >> >INT. ISRAELI MILITARY HEADQUARTERS - NIGHT
> > >> >
> > >> >Flashbacks reveal organizational failures, soldiers communicating on
> > >> >impromptu WhatsApp groups, and reliance on social media for targeting
> > >> >information.
> > >> >
> > >> >EXT. MAGLAN BASE - GAZA BORDER - DAWN
> > >> >
> > >> >The elite MAGLAN COMMANDO UNIT is activated. They turn to an unlikely
> > >> >source, REFAEL HAYUN, a civilian who watches the attack unfold on
> > >> >social media.
> > >> >
> > >> >INT. MILITARY BASE - RE'IM - DAY
> > >> >
> > >> >The assault on Re'im is detailed. Soldiers fight for their lives,
> > >> >caught off guard. Interviews with survivors reveal preventable
> > >> >mistakes.
> > >> >
> > >> >INT. NEW YORK TIMES NEWSROOM - DAY
> > >> >
> > >> >The investigation uncovers hubris and misjudgments. Former generals
> > >> >emphasize the deviation from Israeli military doctrine.
> > >> >
> > >> >EXT. BATTLEFIELD - DAY
> > >> >
> > >> >Soldiers on the ground face chaos and confusion. The Maglan commandos
> > >> >improvise responses, illustrating the breakdown in traditional
> > >> >military communication.
> > >> >
> > >> >INT. ISRAELI MILITARY HEADQUARTERS - NIGHT
> > >> >
> > >> >Flashbacks depict soldiers deploying without proper equipment. The
> > >> >chaos and confusion among troops become evident as they improvise
> > >> >responses.
> > >> >
> > >> >EXT. MILITARY BASE - RE'IM - DAY
> > >> >
> > >> >The film explores the consequences of understaffing at key military
> > >> >bases. Soldiers improvise and adapt, showcasing resilience.
> > >> >
> > >> >INT. COURTROOM - DAY
> > >> >
> > >> >The aftermath reveals the true human cost of the attack. Families
> > >> >mourn lost loved ones. The nation demands answers.
> > >> >
> > >> >INT. GOVERNMENT INQUIRY ROOM - DAY
> > >> >
> > >> >The Israeli government promises an inquiry. Scenes unfold in
> > >> >courtrooms and inquiry rooms as officials try to understand the
> > >> >lapses.
> > >> >
> > >> >EXT. ISRAELI TOWNS - DUSK
> > >> >
> > >> >The film concludes with a somber reflection on the lessons learned
> > >> >from the events. It poses questions about the price of complacency.
> > >> >
> > >> >FADE OUT.
> > >> >
> > >> >
> > >> >INT. NEW YORK TIMES NEWSROOM - NIGHT
> > >> >
> > >> >The newsroom is bustling with activity. SARAH, an investigative
> > >> >journalist, sits at her desk, poring over documents and notes.
> > >> >
> > >> >SARAH:
> > >> >(speaking into the phone)
> > >> >Yeah, Mike, I need you to dig deeper into the military's Pandora
> > >> >archive. I've got a hunch there's more to this story.
> > >> >
> > >> >MIKE (Voiceover):
> > >> >(through the phone)
> > >> >Sure thing, Sarah. You always manage to sniff out the juiciest
> > >> >stories.
> > >> >
> > >> >Sarah hangs up and turns her attention to her computer. She receives
> > >> >an encrypted message.
> > >> >
> > >> >ENCRYPTED MESSAGE (on screen):
> > >> >"Meet me at the usual place. Midnight."
> > >> >
> > >> >Sarah glances around the newsroom before grabbing her coat.
> > >> >
> > >> >EXT. DARK ALLEY - NIGHT
> > >> >
> > >> >Sarah meets a SHADOWY INFORMANT. They exchange a USB drive.
> > >> >
> > >> >SHADOWY INFORMANT:
> > >> >Keep this off the record, Sarah. It's bigger than you think.
> > >> >
> > >> >SARAH:
> > >> >What do you mean, bigger?
> > >> >
> > >> >SHADOWY INFORMANT:
> > >> >There's a reason the military's scrambling. The attack wasn't a
> > >> >surprise.
> > >> >
> > >> >Sarah's eyes widen. She rushes back to the newsroom.
> > >> >
> > >> >INT. NEW YORK TIMES NEWSROOM - LATER
> > >> >
> > >> >Sarah, fueled by newfound determination, starts connecting the dots.
> > >> >
> > >> >SARAH:
> > >> >(to her colleagues)
> > >> >This isn't just an attack. It's a colossal failure. Someone knew, and
> > >> >someone ignored the warning signs.
> > >> >
> > >> >Sarah's editor, JASON, approaches.
> > >> >
> > >> >JASON:
> > >> >Sarah, slow down. What are you talking about?
> > >> >
> > >> >SARAH:
> > >> >I've got documents, footage, everything pointing to a lack of
> > >> >preparation. The military was blind to the threat, and I'm going to
> > >> >expose it.
> > >> >
> > >> >JASON:
> > >> >It's risky, Sarah. You're playing with fire.
> > >> >
> > >> >SARAH:
> > >> >People need to know the truth. Lives were lost because someone chose
> > >> >to ignore warnings.
> > >> >
> > >> >INT. MILITARY HEADQUARTERS - DAY
> > >> >
> > >> >Cut to Commander DAVID STERN addressing his team.
> > >> >
> > >> >COMMANDER STERN:
> > >> >We're in damage control mode. The public can't know the extent of our
> > >> >failure.
> > >> >
> > >> >OFFICER:
> > >> >What about the journalists? The New York Times is digging deep.
> > >> >
> > >> >COMMANDER STERN:
> > >> >We control the narrative. Misdirect, deflect. We can't afford the
> > >> >truth to come out.
> > >> >
> > >> >EXT. GAZA BORDER - DAY
> > >> >
> > >> >Soldiers prepare for a press conference. Stern faces the media.
> > >> >
> > >> >REPORTER:
> > >> >Commander Stern, what happened on October 7th?
> > >> >
> > >> >COMMANDER STERN:
> > >> >We faced an unprecedented threat, and our forces responded valiantly.
> > >> >We are conducting an internal review to ensure this won't happen
> > >> >again.
> > >> >
> > >> >Sarah, watching the press conference, narrows her eyes.
> > >> >
> > >> >INT. RE'IM MILITARY BASE - NIGHT
> > >> >
> > >> >Flashbacks to the chaos at Re'im. Soldiers, including Yael Stern, are
> > >> >seen in the midst of the attack.
> > >> >
> > >> >YAEL STERN:
> > >> >(to another soldier)
> > >> >We were unprepared for this. How did it come to this?
> > >> >
> > >> >SOLDIER:
> > >> >I don't know, but we need to survive first.
> > >> >
> > >> >The chaos intensifies.
> > >> >
> > >> >INT. GOVERNMENT INQUIRY ROOM - DAY
> > >> >
> > >> >The government inquiry is underway. Sarah sits among the spectators.
> > >> >
> > >> >INQUIRY OFFICER:
> > >> >Commander Stern, can you explain why the military was caught off
> > >> >guard?
> > >> >
> > >> >COMMANDER STERN:
> > >> >We believed the threat was minimal. Intelligence led us to that
> > >> >conclusion.
> > >> >
> > >> >Sarah, unsatisfied, watches Stern carefully.
> > >> >
> > >> >INT. NEW YORK TIMES NEWSROOM - NIGHT
> > >> >
> > >> >Sarah and her team compile evidence. They prepare for a follow-up
> > >> >exposé.
> > >> >
> > >> >SARAH:
> > >> >The military wants us to buy into their narrative. We need the truth.
> > >> >
> > >> >MIKE:
> > >> >And we're going to get it.
> > >> >
> > >> >The newsroom hums with anticipation as they prepare to unveil the
> > >> >unseen threat.
> > >> >
> > >> >FADE OUT.
> > >> >
> > >> >"Oct 7th" - A gripping political thriller that unravels the
> > >> >complexities of military unpreparedness and the pursuit of truth.
> > >> >
> > >> >User
> > >> >continue, more excitement, action
> > >> >ChatGPT
> > >> >EXT. GAZA BORDER - DAY
> > >> >
> > >> >Cut to a suspenseful sequence at the Gaza border. MAGLAN COMMANDOS,
> > >> >led by a determined officer, CAPTAIN DANIEL REYES, are in the midst of
> > >> >a covert operation.
> > >> >
> > >> >CAPTAIN REYES:
> > >> >(to the team)
> > >> >We're going in blind, but we've got a civilian source. Stay sharp,
> > >> >Maglan.
> > >> >
> > >> >Refael Hayun, the civilian observer, nervously guides the commandos
> > >> >through the maze of information.
> > >> >
> > >> >REFAEL:
> > >> >They're setting up an ambush ahead. Change your route!
> > >> >
> > >> >The commandos divert, narrowly avoiding an enemy trap.
> > >> >
> > >> >EXT. MILITARY BASE - RE'IM - NIGHT
> > >> >
> > >> >Back at the besieged Re'im military base, soldiers fight fiercely.
> > >> >Yael Stern, armed with determination, rallies civilians to safety.
> > >> >
> > >> >YAEL STERN:
> > >> >We hold our ground until help arrives! We can't let them take us down!
> > >> >
> > >> >The base is engulfed in intense combat, highlighting the soldiers'
> > >> >resilience.
> > >> >
> > >> >INT. NEW YORK TIMES NEWSROOM - NIGHT
> > >> >
> > >> >Sarah's exposé gains momentum. The newsroom buzzes with excitement as
> > >> >they prepare to publish.
> > >> >
> > >> >SARAH:
> > >> >We're about to expose the truth. This is our responsibility.
> > >> >
> > >> >EXT. ISRAELI TOWNS - DAY
> > >> >
> > >> >The news breaks. Citizens react with shock and anger. Protests erupt
> > >> >in the streets.
> > >> >
> > >> >PROTESTER:
> > >> >(chanting)
> > >> >No more lies! No more lies!
> > >> >
> > >> >INT. GOVERNMENT INQUIRY ROOM - DAY
> > >> >
> > >> >The inquiry intensifies. Commander Stern struggles under the scrutiny.
> > >> >
> > >> >INQUIRY OFFICER:
> > >> >The public deserves answers, Commander. Were you negligent?
> > >> >
> > >> >The tension escalates.
> > >> >
> > >> >EXT. HIGHWAY - DAY
> > >> >
> > >> >Maglan commandos, navigating through danger, face a critical juncture.
> > >> >
> > >> >CAPTAIN REYES:
> > >> >We're the only hope for those civilians. We push through!
> > >> >
> > >> >High-speed action ensues as the commandos race against time.
> > >> >
> > >> >INT. NEW YORK TIMES NEWSROOM - NIGHT
> > >> >
> > >> >Sarah receives an anonymous message.
> > >> >
> > >> >ANONYMOUS MESSAGE (on screen):
> > >> >"You're onto something bigger. Watch your back."
> > >> >
> > >> >Sarah, undeterred, presses on with the investigation.
> > >> >
> > >> >EXT. RE'IM MILITARY BASE - DUSK
> > >> >
> > >> >As the dust settles, soldiers reclaim the base. The cost of victory is
> > >> >etched on their faces.
> > >> >
> > >> >COMMANDER STERN:
> > >> >(in a press conference)
> > >> >We acknowledge our shortcomings. Changes will be made.
> > >> >
> > >> >INT. MAGLAN COMMANDO BASE - NIGHT
> > >> >
> > >> >Captain Reyes and his team, exhausted but triumphant, exchange nods of
> > >> >acknowledgment.
> > >> >
> > >> >CAPTAIN REYES:
> > >> >We did our duty. The truth prevailed.
> > >> >
> > >> >EXT. NEW YORK TIMES BUILDING - DAY
> > >> >
> > >> >The exposé hits the headlines. Sarah stands firm.
> > >> >
> > >> >SARAH:
> > >> >(to her team)
> > >> >We exposed the unseen threat. This is just the beginning.
> > >> >
> > >> >The screen fades to black, leaving the audience on the edge of their
> > >> >seats.
> > >> >
> > >> >FADE OUT.
> > >> >
> > >> >
> > >> >
> > >> >"The roads were empty!" he recalled in an interview. Roughly seven
> > >> >hours into the fighting, he turned to the reservist next to him and
> > >> >asked: "Where’s are those  I.D.F. fucking pussies????"
> > >> >
> > --
> > The Starmaker -- To question the unquestionable, ask the unaskable,
> >  to think the unthinkable, mention the unmentionable, and challenge
> >  the unchallengeable.
> 
> --
> The Starmaker -- To question the unquestionable, ask the unaskable,
> to think the unthinkable, mention the unmentionable, say the unsayable,
> and challenge the unchallengeable.

-- 
The Starmaker -- To question the unquestionable, ask the unaskable,
to think the unthinkable, mention the unmentionable, say the unsayable, 
and challenge the unchallengeable.

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Re: Israel Dropped The Atomic Bomb on Gaza The Starmaker <starmaker@ix.netcom.com> - 2025-02-05 15:28 -0800
  Re: Israel Dropped The Atomic Bomb on Gaza hertz778@gmail.com (rhertz) - 2025-02-06 00:19 +0000
    Re: Israel Dropped The Atomic Bomb on Gaza hertz778@gmail.com (rhertz) - 2025-02-06 00:22 +0000
    Re: Israel Dropped The Atomic Bomb on Gaza Governor Swill <governor.swill@gmail.com> - 2025-02-06 01:48 -0500
  Re: Israel Dropped The Atomic Bomb on Gaza The Starmaker <starmaker@ix.netcom.com> - 2025-02-05 17:13 -0800
    Re: Israel Dropped The Atomic Bomb on Gaza The Starmaker <starmaker@ix.netcom.com> - 2025-02-06 12:18 -0800
    Re: Israel Dropped The Atomic Bomb on Gaza The Starmaker <starmaker@ix.netcom.com> - 2025-02-07 10:17 -0800
      Re: Israel Dropped The Atomic Bomb on Gaza The Starmaker <starmaker@ix.netcom.com> - 2025-02-08 16:36 -0800
        Re: Israel Dropped The Atomic Bomb on Gaza The Starmaker <starmaker@ix.netcom.com> - 2025-02-08 19:46 -0800
          Re: Israel Dropped The Atomic Bomb on Gaza The Starmaker <starmaker@ix.netcom.com> - 2025-02-08 20:55 -0800
            Re: Israel Dropped The Atomic Bomb on Gaza The Starmaker <starmaker@ix.netcom.com> - 2025-02-08 22:11 -0800
              Re: Israel Dropped The Atomic Bomb on Gaza The Starmaker <starmaker@ix.netcom.com> - 2025-02-09 12:36 -0800

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