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Israel Dropped The Atomic Bomb on Gaza

Cross-posted to 3 groups.

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In other words, according to Albert Einstein (the man who built the atomic bomb)...

By mid-December, Israel had dropped 29,000 bombs on Gaza. That is EQUAL to 2 atomic bombs!


i think they manage to kill one Hamas guy in all that...maybe two.



and a few hostages.

the rest all women and children.


Grey Rain




The Starmaker wrote:
> 
> https://www.wsj.com/world/middle-east/gaza-destruction-bombing-israel-aa528542?mod=world_lead_pos4
> 
> The war in the Gaza Strip is generating destruction comparable in
> scale to the most devastating urban warfare in the modern record.
> 
> By mid-December, Israel had dropped 29,000 bombs, munitions and shells
> on the strip. Nearly 70% of Gaza’s 439,000 homes and about half of its
> buildings have been damaged or destroyed. The bombing has damaged
> Byzantine churches and ancient mosques, factories and apartment
> buildings, shopping malls and luxury hotels, theaters and schools.
> Much of the water, electrical, communications and healthcare
> infrastructure that made Gaza function is beyond repair.
> 
> https://www.wsj.com/world/middle-east/gaza-destruction-bombing-israel-aa528542?mod=world_lead_pos4
> 
> they are asking for it ain't they????
> 
> On Sat, 30 Dec 2023 15:54:34 -0800, The Starmaker
> <starmaker@ix.netcom.com> wrote:
> 
> >On Sat, 30 Dec 2023 13:17:13 -0800, The Starmaker
> ><starmaker@ix.netcom.com> wrote:
> >
> >>"The roads were empty!" he recalled in an interview. Roughly seven hours into the fighting, he turned to the reservist next to him and asked: "Where’s the I.D.F.?"
> >>
> >>https://dnyuz.com/2023/12/30/where-was-the-israeli-military/
> >
> >
> >Title: "Oct 7th" The Movie, "Where’s those I.D.F. PUSSIES?"
> >
> >Genre: Political Thriller/Drama
> >
> >Logline: In the aftermath of a devastating surprise attack by Hamas,
> >an unprepared Israeli military faces chaos and internal breakdown. As
> >desperate citizens call for help and casualties rise, a New York Times
> >investigation reveals a shocking lack of planning and organization
> >within the military. The film unfolds the events of October 7th,
> >exposing intelligence missteps, communication breakdowns, and
> >strategic errors that led to the failure of Israel's most advanced
> >military in its fundamental mission: protecting Israeli lives. As the
> >nation grapples with the aftermath, questions arise about the
> >military's hubris, misjudgments, and the high human cost of a
> >disastrous lack of preparation.
> >
> >Treatment:
> >
> >Act 1: The Calm Before the Storm
> >
> >Opening Scene: The Pit in Tel Aviv (Establishing Shot):
> >
> >We open in the classified military bunker known as The Pit, where
> >Israeli commanders are attempting to decipher early reports of rocket
> >fire from Hamas in southern Israel. The atmosphere is tense, and
> >intelligence reports are conflicting.
> >The Mysterious Call:
> >
> >A commander from the division overseeing the Gaza border calls in,
> >reporting an attack on their base. The scale is unclear, and panic
> >sets in as the military leaders realize they are unprepared.
> >Deployment Orders:
> >
> >An hour after the attack begins, The Pit issues its first deployment
> >instructions. Emergency forces and available units are ordered
> >southward. The chaos and urgency of the situation are palpable.
> >Citizens in Desperation:
> >
> >Cut to scenes of desperate Israeli citizens fending for themselves.
> >The first signs of the military's slow response become apparent as
> >casualties mount. The sense of vulnerability grows.
> >Act 2: The Investigation Unfolds
> >
> >The New York Times Investigation Begins:
> >
> >Transition to The New York Times newsroom. Investigative journalists
> >dig into the events of October 7th, obtaining internal Israeli
> >government documents and footage from the military's Pandora archive.
> >Military's Organizational Failures:
> >
> >The investigation reveals the military's undermanned state, soldiers
> >communicating through impromptu WhatsApp groups, and reliance on
> >social media for targeting information. The lack of a plan for a
> >large-scale attack shocks the nation.
> >Hubris and Misjudgments:
> >
> >Interviews with former generals highlight the deviation from Israeli
> >military doctrine, emphasizing offensive strategies and anticipating
> >attacks. The authorities' dismissal of Hamas' capability for a massive
> >invasion is portrayed, adding layers to the unfolding crisis.
> >Act 3: The Day of Chaos
> >
> >Soldiers on the Ground:
> >
> >Flashbacks depict soldiers receiving inadequate information and
> >deploying without proper equipment. The chaos and confusion among
> >troops become evident as they improvise responses.
> >Maglan's Unlikely Source:
> >
> >The elite Maglan commando unit turns to a civilian, Refael Hayun, who
> >watches the attack unfold on social media. His messages become a
> >lifeline for the commandos on the ground, illustrating the breakdown
> >in traditional military communication.
> >Understaffed and Overwhelmed:
> >
> >The film explores the consequences of the military's understaffing on
> >the day of the attack, showing the severity of the situation at key
> >military bases like Re'im. Interviews with soldiers reveal the
> >preventable scope of the catastrophe.
> >Act 4: The Fallout
> >
> >Blindspots and Communication Breakdowns:
> >
> >The assault on Re'im is detailed, showing how the military's
> >headquarters became a battleground. The film explores the blind spots
> >in communication, misreading intelligence, and the fatal consequences
> >of not heeding warnings.
> >Heroes in the Chaos:
> >
> >Despite the chaos, individual acts of heroism are highlighted.
> >Soldiers improvise and adapt, showcasing the resilience of the human
> >spirit in the face of unexpected adversity.
> >Act 5: Searching for Answers
> >
> >The Aftermath:
> >
> >As the military regains control, the aftermath reveals the true human
> >cost of the attack. Families mourn lost loved ones, and the nation
> >demands answers.
> >Government Inquiry:
> >
> >The Israeli government promises an inquiry, and scenes unfold in
> >courtrooms and inquiry rooms as officials try to understand the lapses
> >that led to the tragedy.
> >Closing Scene: Lessons Learned:
> >
> >The film concludes with a somber reflection on the lessons learned
> >from the events of October 7th. It poses questions about the price of
> >complacency, the consequences of underestimating threats, and the
> >necessity of being prepared for the unseen.
> >"Oct 7th" is a gripping political thriller that explores the
> >real-world consequences of military unpreparedness and the human toll
> >of strategic misjudgments. It delves into the intricate web of
> >intelligence, communication, and decision-making, unraveling a story
> >of tragedy and resilience.
> >
> >
> >
> >Title: "Oct 7th"
> >
> >Genre: Political Thriller/Drama/War Drama
> >
> >INT. THE PIT - TEL AVIV - NIGHT
> >
> >The underground bunker buzzes with activity. COMMANDERS scramble to
> >make sense of reports of Hamas rocket fire. An urgent call comes in
> >from the division overseeing the Gaza border.
> >
> >EXT. MILITARY BASE - GAZA BORDER - DAWN
> >
> >Soldiers awake to the sounds of an attack. The base is under siege,
> >but the scale is unclear. The COMMANDER pleads for reinforcements.
> >
> >INT. THE PIT - TEL AVIV - DAY
> >
> >Hours later, The Pit issues deployment orders. Emergency forces and
> >available units are instructed to head south. Unbeknownst to them, an
> >invasion of Israel is already underway.
> >
> >EXT. ISRAELI TOWNS - MORNING
> >
> >Desperate citizens fend for themselves. The military's slow response
> >becomes evident as casualties rise. The chaos grips the nation.
> >
> >INT. NEW YORK TIMES NEWSROOM - DAY
> >
> >Investigative journalists, led by SARAH (early 40s), pore over
> >internal Israeli government documents and Pandora archive footage.
> >
> >INT. ISRAELI MILITARY HEADQUARTERS - NIGHT
> >
> >Flashbacks reveal organizational failures, soldiers communicating on
> >impromptu WhatsApp groups, and reliance on social media for targeting
> >information.
> >
> >EXT. MAGLAN BASE - GAZA BORDER - DAWN
> >
> >The elite MAGLAN COMMANDO UNIT is activated. They turn to an unlikely
> >source, REFAEL HAYUN, a civilian who watches the attack unfold on
> >social media.
> >
> >INT. MILITARY BASE - RE'IM - DAY
> >
> >The assault on Re'im is detailed. Soldiers fight for their lives,
> >caught off guard. Interviews with survivors reveal preventable
> >mistakes.
> >
> >INT. NEW YORK TIMES NEWSROOM - DAY
> >
> >The investigation uncovers hubris and misjudgments. Former generals
> >emphasize the deviation from Israeli military doctrine.
> >
> >EXT. BATTLEFIELD - DAY
> >
> >Soldiers on the ground face chaos and confusion. The Maglan commandos
> >improvise responses, illustrating the breakdown in traditional
> >military communication.
> >
> >INT. ISRAELI MILITARY HEADQUARTERS - NIGHT
> >
> >Flashbacks depict soldiers deploying without proper equipment. The
> >chaos and confusion among troops become evident as they improvise
> >responses.
> >
> >EXT. MILITARY BASE - RE'IM - DAY
> >
> >The film explores the consequences of understaffing at key military
> >bases. Soldiers improvise and adapt, showcasing resilience.
> >
> >INT. COURTROOM - DAY
> >
> >The aftermath reveals the true human cost of the attack. Families
> >mourn lost loved ones. The nation demands answers.
> >
> >INT. GOVERNMENT INQUIRY ROOM - DAY
> >
> >The Israeli government promises an inquiry. Scenes unfold in
> >courtrooms and inquiry rooms as officials try to understand the
> >lapses.
> >
> >EXT. ISRAELI TOWNS - DUSK
> >
> >The film concludes with a somber reflection on the lessons learned
> >from the events. It poses questions about the price of complacency.
> >
> >FADE OUT.
> >
> >
> >INT. NEW YORK TIMES NEWSROOM - NIGHT
> >
> >The newsroom is bustling with activity. SARAH, an investigative
> >journalist, sits at her desk, poring over documents and notes.
> >
> >SARAH:
> >(speaking into the phone)
> >Yeah, Mike, I need you to dig deeper into the military's Pandora
> >archive. I've got a hunch there's more to this story.
> >
> >MIKE (Voiceover):
> >(through the phone)
> >Sure thing, Sarah. You always manage to sniff out the juiciest
> >stories.
> >
> >Sarah hangs up and turns her attention to her computer. She receives
> >an encrypted message.
> >
> >ENCRYPTED MESSAGE (on screen):
> >"Meet me at the usual place. Midnight."
> >
> >Sarah glances around the newsroom before grabbing her coat.
> >
> >EXT. DARK ALLEY - NIGHT
> >
> >Sarah meets a SHADOWY INFORMANT. They exchange a USB drive.
> >
> >SHADOWY INFORMANT:
> >Keep this off the record, Sarah. It's bigger than you think.
> >
> >SARAH:
> >What do you mean, bigger?
> >
> >SHADOWY INFORMANT:
> >There's a reason the military's scrambling. The attack wasn't a
> >surprise.
> >
> >Sarah's eyes widen. She rushes back to the newsroom.
> >
> >INT. NEW YORK TIMES NEWSROOM - LATER
> >
> >Sarah, fueled by newfound determination, starts connecting the dots.
> >
> >SARAH:
> >(to her colleagues)
> >This isn't just an attack. It's a colossal failure. Someone knew, and
> >someone ignored the warning signs.
> >
> >Sarah's editor, JASON, approaches.
> >
> >JASON:
> >Sarah, slow down. What are you talking about?
> >
> >SARAH:
> >I've got documents, footage, everything pointing to a lack of
> >preparation. The military was blind to the threat, and I'm going to
> >expose it.
> >
> >JASON:
> >It's risky, Sarah. You're playing with fire.
> >
> >SARAH:
> >People need to know the truth. Lives were lost because someone chose
> >to ignore warnings.
> >
> >INT. MILITARY HEADQUARTERS - DAY
> >
> >Cut to Commander DAVID STERN addressing his team.
> >
> >COMMANDER STERN:
> >We're in damage control mode. The public can't know the extent of our
> >failure.
> >
> >OFFICER:
> >What about the journalists? The New York Times is digging deep.
> >
> >COMMANDER STERN:
> >We control the narrative. Misdirect, deflect. We can't afford the
> >truth to come out.
> >
> >EXT. GAZA BORDER - DAY
> >
> >Soldiers prepare for a press conference. Stern faces the media.
> >
> >REPORTER:
> >Commander Stern, what happened on October 7th?
> >
> >COMMANDER STERN:
> >We faced an unprecedented threat, and our forces responded valiantly.
> >We are conducting an internal review to ensure this won't happen
> >again.
> >
> >Sarah, watching the press conference, narrows her eyes.
> >
> >INT. RE'IM MILITARY BASE - NIGHT
> >
> >Flashbacks to the chaos at Re'im. Soldiers, including Yael Stern, are
> >seen in the midst of the attack.
> >
> >YAEL STERN:
> >(to another soldier)
> >We were unprepared for this. How did it come to this?
> >
> >SOLDIER:
> >I don't know, but we need to survive first.
> >
> >The chaos intensifies.
> >
> >INT. GOVERNMENT INQUIRY ROOM - DAY
> >
> >The government inquiry is underway. Sarah sits among the spectators.
> >
> >INQUIRY OFFICER:
> >Commander Stern, can you explain why the military was caught off
> >guard?
> >
> >COMMANDER STERN:
> >We believed the threat was minimal. Intelligence led us to that
> >conclusion.
> >
> >Sarah, unsatisfied, watches Stern carefully.
> >
> >INT. NEW YORK TIMES NEWSROOM - NIGHT
> >
> >Sarah and her team compile evidence. They prepare for a follow-up
> >exposé.
> >
> >SARAH:
> >The military wants us to buy into their narrative. We need the truth.
> >
> >MIKE:
> >And we're going to get it.
> >
> >The newsroom hums with anticipation as they prepare to unveil the
> >unseen threat.
> >
> >FADE OUT.
> >
> >"Oct 7th" - A gripping political thriller that unravels the
> >complexities of military unpreparedness and the pursuit of truth.
> >
> >User
> >continue, more excitement, action
> >ChatGPT
> >EXT. GAZA BORDER - DAY
> >
> >Cut to a suspenseful sequence at the Gaza border. MAGLAN COMMANDOS,
> >led by a determined officer, CAPTAIN DANIEL REYES, are in the midst of
> >a covert operation.
> >
> >CAPTAIN REYES:
> >(to the team)
> >We're going in blind, but we've got a civilian source. Stay sharp,
> >Maglan.
> >
> >Refael Hayun, the civilian observer, nervously guides the commandos
> >through the maze of information.
> >
> >REFAEL:
> >They're setting up an ambush ahead. Change your route!
> >
> >The commandos divert, narrowly avoiding an enemy trap.
> >
> >EXT. MILITARY BASE - RE'IM - NIGHT
> >
> >Back at the besieged Re'im military base, soldiers fight fiercely.
> >Yael Stern, armed with determination, rallies civilians to safety.
> >
> >YAEL STERN:
> >We hold our ground until help arrives! We can't let them take us down!
> >
> >The base is engulfed in intense combat, highlighting the soldiers'
> >resilience.
> >
> >INT. NEW YORK TIMES NEWSROOM - NIGHT
> >
> >Sarah's exposé gains momentum. The newsroom buzzes with excitement as
> >they prepare to publish.
> >
> >SARAH:
> >We're about to expose the truth. This is our responsibility.
> >
> >EXT. ISRAELI TOWNS - DAY
> >
> >The news breaks. Citizens react with shock and anger. Protests erupt
> >in the streets.
> >
> >PROTESTER:
> >(chanting)
> >No more lies! No more lies!
> >
> >INT. GOVERNMENT INQUIRY ROOM - DAY
> >
> >The inquiry intensifies. Commander Stern struggles under the scrutiny.
> >
> >INQUIRY OFFICER:
> >The public deserves answers, Commander. Were you negligent?
> >
> >The tension escalates.
> >
> >EXT. HIGHWAY - DAY
> >
> >Maglan commandos, navigating through danger, face a critical juncture.
> >
> >CAPTAIN REYES:
> >We're the only hope for those civilians. We push through!
> >
> >High-speed action ensues as the commandos race against time.
> >
> >INT. NEW YORK TIMES NEWSROOM - NIGHT
> >
> >Sarah receives an anonymous message.
> >
> >ANONYMOUS MESSAGE (on screen):
> >"You're onto something bigger. Watch your back."
> >
> >Sarah, undeterred, presses on with the investigation.
> >
> >EXT. RE'IM MILITARY BASE - DUSK
> >
> >As the dust settles, soldiers reclaim the base. The cost of victory is
> >etched on their faces.
> >
> >COMMANDER STERN:
> >(in a press conference)
> >We acknowledge our shortcomings. Changes will be made.
> >
> >INT. MAGLAN COMMANDO BASE - NIGHT
> >
> >Captain Reyes and his team, exhausted but triumphant, exchange nods of
> >acknowledgment.
> >
> >CAPTAIN REYES:
> >We did our duty. The truth prevailed.
> >
> >EXT. NEW YORK TIMES BUILDING - DAY
> >
> >The exposé hits the headlines. Sarah stands firm.
> >
> >SARAH:
> >(to her team)
> >We exposed the unseen threat. This is just the beginning.
> >
> >The screen fades to black, leaving the audience on the edge of their
> >seats.
> >
> >FADE OUT.
> >
> >
> >
> >"The roads were empty!" he recalled in an interview. Roughly seven
> >hours into the fighting, he turned to the reservist next to him and
> >asked: "Where’s are those  I.D.F. fucking pussies????"
> >

-- 
The Starmaker -- To question the unquestionable, ask the unaskable,
to think the unthinkable, mention the unmentionable, say the unsayable, 
and challenge the unchallengeable.

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Oct 7th....the movie The Starmaker <starmaker@ix.netcom.com> - 2023-12-30 13:17 -0800
  Re: Oct 7th....the movie The Starmaker <starmaker@ix.netcom.com> - 2023-12-30 15:54 -0800
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  Re: Oct 7th....the movie rotchm <rotchm@gmail.com> - 2023-12-30 16:37 -0800
  Re: Oct 7th....the movie "mitchr...@gmail.com" <mitchrae3323@gmail.com> - 2024-01-11 17:03 -0800
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