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Re: Israel Dropped The Atomic Bomb on Gaza

Cross-posted to 3 groups.

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Now, today..Hezbollah Fires Rocket Barrage into Israel.

But, what they are not telling you is that Hezbollah (whateverthatmeans)
has 150,000 bombs that can reach 'anywhere' in Israel.

It's takes only 15,000 bombs to equal one atomic bomb.


So, if they got the guts to use 15,000-29,000 bombs on Israel...

Israel can look like a ...Gaza.


a junkyard.

or as they like to say..
take them back to the stone age.



The Question is, will  Hezbollah (whateverthatmeans) use 15,000-29,000 bombs on Israel????


That remains to be seen...


i say, fuck them all..let them kill each other...bunch of deserts rats anyway.


if i go to a resturant, i'm not ordeing
anything with a hezbol or hamasbol in it.

Give me an American Hamburger anytime!


(on dat note, watch out for McDonalds...if you go inside
they take hours to serve you...if you use the drive-thru,
they have it ready in a second.)(sounds like they punish
people who walk in to order, to force them to use
the drive-thru).



Isn't it cheaper to use One Atomic Bomb? Save money on rocket barages, use one atomic bomb instead.


The purpose of using an atomic bomb is to Save Money! Ask Albert Einstein.


I mean, think of the time and effort, costs...

i gotta get
into a forklift
take the bombs
from the
warehouse
and place them
on trucks
to deliver it
to the soldiers.


One button, and you save time and money!

And it makes goo tveee!


I can eat my hamburger and
watch 6 million dead people on tveee
Fox News..or the stupid channel CNN.

then change the channel and see if there
is any good Netflix movies on...

Hollywood loves genocide movies.
(according to Hollywood there was one one genocide on earth)

According to Albert Einstein, they dropped the atomic bomb on the wrong country!

Albert Einstein got sick to his stomach when he spent all that
time and energy building an atomic bomb to kill Germans/Krauts, and instead they
dropped it on
the Chinks!!!


The world wants to see the atomic bomb dropped on the Kikes.


okay, i'll settle for 15,000-29,000 bombs on Israel...

it's equivalent. 











The Starmaker wrote:
> 
> In other words, according to Albert Einstein (the man who built the atomic bomb)...
> 
> By mid-December, Israel had dropped 29,000 bombs on Gaza. That is EQUAL to 2 atomic bombs!
> 
> i think they manage to kill one Hamas guy in all that...maybe two.
> 
> and a few hostages.
> 
> the rest all women and children.
> 
> Grey Rain
> 
> The Starmaker wrote:
> >
> > https://www.wsj.com/world/middle-east/gaza-destruction-bombing-israel-aa528542?mod=world_lead_pos4
> >
> > The war in the Gaza Strip is generating destruction comparable in
> > scale to the most devastating urban warfare in the modern record.
> >
> > By mid-December, Israel had dropped 29,000 bombs, munitions and shells
> > on the strip. Nearly 70% of Gaza’s 439,000 homes and about half of its
> > buildings have been damaged or destroyed. The bombing has damaged
> > Byzantine churches and ancient mosques, factories and apartment
> > buildings, shopping malls and luxury hotels, theaters and schools.
> > Much of the water, electrical, communications and healthcare
> > infrastructure that made Gaza function is beyond repair.
> >
> > https://www.wsj.com/world/middle-east/gaza-destruction-bombing-israel-aa528542?mod=world_lead_pos4
> >
> > they are asking for it ain't they????
> >
> > On Sat, 30 Dec 2023 15:54:34 -0800, The Starmaker
> > <starmaker@ix.netcom.com> wrote:
> >
> > >On Sat, 30 Dec 2023 13:17:13 -0800, The Starmaker
> > ><starmaker@ix.netcom.com> wrote:
> > >
> > >>"The roads were empty!" he recalled in an interview. Roughly seven hours into the fighting, he turned to the reservist next to him and asked: "Where’s the I.D.F.?"
> > >>
> > >>https://dnyuz.com/2023/12/30/where-was-the-israeli-military/
> > >
> > >
> > >Title: "Oct 7th" The Movie, "Where’s those I.D.F. PUSSIES?"
> > >
> > >Genre: Political Thriller/Drama
> > >
> > >Logline: In the aftermath of a devastating surprise attack by Hamas,
> > >an unprepared Israeli military faces chaos and internal breakdown. As
> > >desperate citizens call for help and casualties rise, a New York Times
> > >investigation reveals a shocking lack of planning and organization
> > >within the military. The film unfolds the events of October 7th,
> > >exposing intelligence missteps, communication breakdowns, and
> > >strategic errors that led to the failure of Israel's most advanced
> > >military in its fundamental mission: protecting Israeli lives. As the
> > >nation grapples with the aftermath, questions arise about the
> > >military's hubris, misjudgments, and the high human cost of a
> > >disastrous lack of preparation.
> > >
> > >Treatment:
> > >
> > >Act 1: The Calm Before the Storm
> > >
> > >Opening Scene: The Pit in Tel Aviv (Establishing Shot):
> > >
> > >We open in the classified military bunker known as The Pit, where
> > >Israeli commanders are attempting to decipher early reports of rocket
> > >fire from Hamas in southern Israel. The atmosphere is tense, and
> > >intelligence reports are conflicting.
> > >The Mysterious Call:
> > >
> > >A commander from the division overseeing the Gaza border calls in,
> > >reporting an attack on their base. The scale is unclear, and panic
> > >sets in as the military leaders realize they are unprepared.
> > >Deployment Orders:
> > >
> > >An hour after the attack begins, The Pit issues its first deployment
> > >instructions. Emergency forces and available units are ordered
> > >southward. The chaos and urgency of the situation are palpable.
> > >Citizens in Desperation:
> > >
> > >Cut to scenes of desperate Israeli citizens fending for themselves.
> > >The first signs of the military's slow response become apparent as
> > >casualties mount. The sense of vulnerability grows.
> > >Act 2: The Investigation Unfolds
> > >
> > >The New York Times Investigation Begins:
> > >
> > >Transition to The New York Times newsroom. Investigative journalists
> > >dig into the events of October 7th, obtaining internal Israeli
> > >government documents and footage from the military's Pandora archive.
> > >Military's Organizational Failures:
> > >
> > >The investigation reveals the military's undermanned state, soldiers
> > >communicating through impromptu WhatsApp groups, and reliance on
> > >social media for targeting information. The lack of a plan for a
> > >large-scale attack shocks the nation.
> > >Hubris and Misjudgments:
> > >
> > >Interviews with former generals highlight the deviation from Israeli
> > >military doctrine, emphasizing offensive strategies and anticipating
> > >attacks. The authorities' dismissal of Hamas' capability for a massive
> > >invasion is portrayed, adding layers to the unfolding crisis.
> > >Act 3: The Day of Chaos
> > >
> > >Soldiers on the Ground:
> > >
> > >Flashbacks depict soldiers receiving inadequate information and
> > >deploying without proper equipment. The chaos and confusion among
> > >troops become evident as they improvise responses.
> > >Maglan's Unlikely Source:
> > >
> > >The elite Maglan commando unit turns to a civilian, Refael Hayun, who
> > >watches the attack unfold on social media. His messages become a
> > >lifeline for the commandos on the ground, illustrating the breakdown
> > >in traditional military communication.
> > >Understaffed and Overwhelmed:
> > >
> > >The film explores the consequences of the military's understaffing on
> > >the day of the attack, showing the severity of the situation at key
> > >military bases like Re'im. Interviews with soldiers reveal the
> > >preventable scope of the catastrophe.
> > >Act 4: The Fallout
> > >
> > >Blindspots and Communication Breakdowns:
> > >
> > >The assault on Re'im is detailed, showing how the military's
> > >headquarters became a battleground. The film explores the blind spots
> > >in communication, misreading intelligence, and the fatal consequences
> > >of not heeding warnings.
> > >Heroes in the Chaos:
> > >
> > >Despite the chaos, individual acts of heroism are highlighted.
> > >Soldiers improvise and adapt, showcasing the resilience of the human
> > >spirit in the face of unexpected adversity.
> > >Act 5: Searching for Answers
> > >
> > >The Aftermath:
> > >
> > >As the military regains control, the aftermath reveals the true human
> > >cost of the attack. Families mourn lost loved ones, and the nation
> > >demands answers.
> > >Government Inquiry:
> > >
> > >The Israeli government promises an inquiry, and scenes unfold in
> > >courtrooms and inquiry rooms as officials try to understand the lapses
> > >that led to the tragedy.
> > >Closing Scene: Lessons Learned:
> > >
> > >The film concludes with a somber reflection on the lessons learned
> > >from the events of October 7th. It poses questions about the price of
> > >complacency, the consequences of underestimating threats, and the
> > >necessity of being prepared for the unseen.
> > >"Oct 7th" is a gripping political thriller that explores the
> > >real-world consequences of military unpreparedness and the human toll
> > >of strategic misjudgments. It delves into the intricate web of
> > >intelligence, communication, and decision-making, unraveling a story
> > >of tragedy and resilience.
> > >
> > >
> > >
> > >Title: "Oct 7th"
> > >
> > >Genre: Political Thriller/Drama/War Drama
> > >
> > >INT. THE PIT - TEL AVIV - NIGHT
> > >
> > >The underground bunker buzzes with activity. COMMANDERS scramble to
> > >make sense of reports of Hamas rocket fire. An urgent call comes in
> > >from the division overseeing the Gaza border.
> > >
> > >EXT. MILITARY BASE - GAZA BORDER - DAWN
> > >
> > >Soldiers awake to the sounds of an attack. The base is under siege,
> > >but the scale is unclear. The COMMANDER pleads for reinforcements.
> > >
> > >INT. THE PIT - TEL AVIV - DAY
> > >
> > >Hours later, The Pit issues deployment orders. Emergency forces and
> > >available units are instructed to head south. Unbeknownst to them, an
> > >invasion of Israel is already underway.
> > >
> > >EXT. ISRAELI TOWNS - MORNING
> > >
> > >Desperate citizens fend for themselves. The military's slow response
> > >becomes evident as casualties rise. The chaos grips the nation.
> > >
> > >INT. NEW YORK TIMES NEWSROOM - DAY
> > >
> > >Investigative journalists, led by SARAH (early 40s), pore over
> > >internal Israeli government documents and Pandora archive footage.
> > >
> > >INT. ISRAELI MILITARY HEADQUARTERS - NIGHT
> > >
> > >Flashbacks reveal organizational failures, soldiers communicating on
> > >impromptu WhatsApp groups, and reliance on social media for targeting
> > >information.
> > >
> > >EXT. MAGLAN BASE - GAZA BORDER - DAWN
> > >
> > >The elite MAGLAN COMMANDO UNIT is activated. They turn to an unlikely
> > >source, REFAEL HAYUN, a civilian who watches the attack unfold on
> > >social media.
> > >
> > >INT. MILITARY BASE - RE'IM - DAY
> > >
> > >The assault on Re'im is detailed. Soldiers fight for their lives,
> > >caught off guard. Interviews with survivors reveal preventable
> > >mistakes.
> > >
> > >INT. NEW YORK TIMES NEWSROOM - DAY
> > >
> > >The investigation uncovers hubris and misjudgments. Former generals
> > >emphasize the deviation from Israeli military doctrine.
> > >
> > >EXT. BATTLEFIELD - DAY
> > >
> > >Soldiers on the ground face chaos and confusion. The Maglan commandos
> > >improvise responses, illustrating the breakdown in traditional
> > >military communication.
> > >
> > >INT. ISRAELI MILITARY HEADQUARTERS - NIGHT
> > >
> > >Flashbacks depict soldiers deploying without proper equipment. The
> > >chaos and confusion among troops become evident as they improvise
> > >responses.
> > >
> > >EXT. MILITARY BASE - RE'IM - DAY
> > >
> > >The film explores the consequences of understaffing at key military
> > >bases. Soldiers improvise and adapt, showcasing resilience.
> > >
> > >INT. COURTROOM - DAY
> > >
> > >The aftermath reveals the true human cost of the attack. Families
> > >mourn lost loved ones. The nation demands answers.
> > >
> > >INT. GOVERNMENT INQUIRY ROOM - DAY
> > >
> > >The Israeli government promises an inquiry. Scenes unfold in
> > >courtrooms and inquiry rooms as officials try to understand the
> > >lapses.
> > >
> > >EXT. ISRAELI TOWNS - DUSK
> > >
> > >The film concludes with a somber reflection on the lessons learned
> > >from the events. It poses questions about the price of complacency.
> > >
> > >FADE OUT.
> > >
> > >
> > >INT. NEW YORK TIMES NEWSROOM - NIGHT
> > >
> > >The newsroom is bustling with activity. SARAH, an investigative
> > >journalist, sits at her desk, poring over documents and notes.
> > >
> > >SARAH:
> > >(speaking into the phone)
> > >Yeah, Mike, I need you to dig deeper into the military's Pandora
> > >archive. I've got a hunch there's more to this story.
> > >
> > >MIKE (Voiceover):
> > >(through the phone)
> > >Sure thing, Sarah. You always manage to sniff out the juiciest
> > >stories.
> > >
> > >Sarah hangs up and turns her attention to her computer. She receives
> > >an encrypted message.
> > >
> > >ENCRYPTED MESSAGE (on screen):
> > >"Meet me at the usual place. Midnight."
> > >
> > >Sarah glances around the newsroom before grabbing her coat.
> > >
> > >EXT. DARK ALLEY - NIGHT
> > >
> > >Sarah meets a SHADOWY INFORMANT. They exchange a USB drive.
> > >
> > >SHADOWY INFORMANT:
> > >Keep this off the record, Sarah. It's bigger than you think.
> > >
> > >SARAH:
> > >What do you mean, bigger?
> > >
> > >SHADOWY INFORMANT:
> > >There's a reason the military's scrambling. The attack wasn't a
> > >surprise.
> > >
> > >Sarah's eyes widen. She rushes back to the newsroom.
> > >
> > >INT. NEW YORK TIMES NEWSROOM - LATER
> > >
> > >Sarah, fueled by newfound determination, starts connecting the dots.
> > >
> > >SARAH:
> > >(to her colleagues)
> > >This isn't just an attack. It's a colossal failure. Someone knew, and
> > >someone ignored the warning signs.
> > >
> > >Sarah's editor, JASON, approaches.
> > >
> > >JASON:
> > >Sarah, slow down. What are you talking about?
> > >
> > >SARAH:
> > >I've got documents, footage, everything pointing to a lack of
> > >preparation. The military was blind to the threat, and I'm going to
> > >expose it.
> > >
> > >JASON:
> > >It's risky, Sarah. You're playing with fire.
> > >
> > >SARAH:
> > >People need to know the truth. Lives were lost because someone chose
> > >to ignore warnings.
> > >
> > >INT. MILITARY HEADQUARTERS - DAY
> > >
> > >Cut to Commander DAVID STERN addressing his team.
> > >
> > >COMMANDER STERN:
> > >We're in damage control mode. The public can't know the extent of our
> > >failure.
> > >
> > >OFFICER:
> > >What about the journalists? The New York Times is digging deep.
> > >
> > >COMMANDER STERN:
> > >We control the narrative. Misdirect, deflect. We can't afford the
> > >truth to come out.
> > >
> > >EXT. GAZA BORDER - DAY
> > >
> > >Soldiers prepare for a press conference. Stern faces the media.
> > >
> > >REPORTER:
> > >Commander Stern, what happened on October 7th?
> > >
> > >COMMANDER STERN:
> > >We faced an unprecedented threat, and our forces responded valiantly.
> > >We are conducting an internal review to ensure this won't happen
> > >again.
> > >
> > >Sarah, watching the press conference, narrows her eyes.
> > >
> > >INT. RE'IM MILITARY BASE - NIGHT
> > >
> > >Flashbacks to the chaos at Re'im. Soldiers, including Yael Stern, are
> > >seen in the midst of the attack.
> > >
> > >YAEL STERN:
> > >(to another soldier)
> > >We were unprepared for this. How did it come to this?
> > >
> > >SOLDIER:
> > >I don't know, but we need to survive first.
> > >
> > >The chaos intensifies.
> > >
> > >INT. GOVERNMENT INQUIRY ROOM - DAY
> > >
> > >The government inquiry is underway. Sarah sits among the spectators.
> > >
> > >INQUIRY OFFICER:
> > >Commander Stern, can you explain why the military was caught off
> > >guard?
> > >
> > >COMMANDER STERN:
> > >We believed the threat was minimal. Intelligence led us to that
> > >conclusion.
> > >
> > >Sarah, unsatisfied, watches Stern carefully.
> > >
> > >INT. NEW YORK TIMES NEWSROOM - NIGHT
> > >
> > >Sarah and her team compile evidence. They prepare for a follow-up
> > >exposé.
> > >
> > >SARAH:
> > >The military wants us to buy into their narrative. We need the truth.
> > >
> > >MIKE:
> > >And we're going to get it.
> > >
> > >The newsroom hums with anticipation as they prepare to unveil the
> > >unseen threat.
> > >
> > >FADE OUT.
> > >
> > >"Oct 7th" - A gripping political thriller that unravels the
> > >complexities of military unpreparedness and the pursuit of truth.
> > >
> > >User
> > >continue, more excitement, action
> > >ChatGPT
> > >EXT. GAZA BORDER - DAY
> > >
> > >Cut to a suspenseful sequence at the Gaza border. MAGLAN COMMANDOS,
> > >led by a determined officer, CAPTAIN DANIEL REYES, are in the midst of
> > >a covert operation.
> > >
> > >CAPTAIN REYES:
> > >(to the team)
> > >We're going in blind, but we've got a civilian source. Stay sharp,
> > >Maglan.
> > >
> > >Refael Hayun, the civilian observer, nervously guides the commandos
> > >through the maze of information.
> > >
> > >REFAEL:
> > >They're setting up an ambush ahead. Change your route!
> > >
> > >The commandos divert, narrowly avoiding an enemy trap.
> > >
> > >EXT. MILITARY BASE - RE'IM - NIGHT
> > >
> > >Back at the besieged Re'im military base, soldiers fight fiercely.
> > >Yael Stern, armed with determination, rallies civilians to safety.
> > >
> > >YAEL STERN:
> > >We hold our ground until help arrives! We can't let them take us down!
> > >
> > >The base is engulfed in intense combat, highlighting the soldiers'
> > >resilience.
> > >
> > >INT. NEW YORK TIMES NEWSROOM - NIGHT
> > >
> > >Sarah's exposé gains momentum. The newsroom buzzes with excitement as
> > >they prepare to publish.
> > >
> > >SARAH:
> > >We're about to expose the truth. This is our responsibility.
> > >
> > >EXT. ISRAELI TOWNS - DAY
> > >
> > >The news breaks. Citizens react with shock and anger. Protests erupt
> > >in the streets.
> > >
> > >PROTESTER:
> > >(chanting)
> > >No more lies! No more lies!
> > >
> > >INT. GOVERNMENT INQUIRY ROOM - DAY
> > >
> > >The inquiry intensifies. Commander Stern struggles under the scrutiny.
> > >
> > >INQUIRY OFFICER:
> > >The public deserves answers, Commander. Were you negligent?
> > >
> > >The tension escalates.
> > >
> > >EXT. HIGHWAY - DAY
> > >
> > >Maglan commandos, navigating through danger, face a critical juncture.
> > >
> > >CAPTAIN REYES:
> > >We're the only hope for those civilians. We push through!
> > >
> > >High-speed action ensues as the commandos race against time.
> > >
> > >INT. NEW YORK TIMES NEWSROOM - NIGHT
> > >
> > >Sarah receives an anonymous message.
> > >
> > >ANONYMOUS MESSAGE (on screen):
> > >"You're onto something bigger. Watch your back."
> > >
> > >Sarah, undeterred, presses on with the investigation.
> > >
> > >EXT. RE'IM MILITARY BASE - DUSK
> > >
> > >As the dust settles, soldiers reclaim the base. The cost of victory is
> > >etched on their faces.
> > >
> > >COMMANDER STERN:
> > >(in a press conference)
> > >We acknowledge our shortcomings. Changes will be made.
> > >
> > >INT. MAGLAN COMMANDO BASE - NIGHT
> > >
> > >Captain Reyes and his team, exhausted but triumphant, exchange nods of
> > >acknowledgment.
> > >
> > >CAPTAIN REYES:
> > >We did our duty. The truth prevailed.
> > >
> > >EXT. NEW YORK TIMES BUILDING - DAY
> > >
> > >The exposé hits the headlines. Sarah stands firm.
> > >
> > >SARAH:
> > >(to her team)
> > >We exposed the unseen threat. This is just the beginning.
> > >
> > >The screen fades to black, leaving the audience on the edge of their
> > >seats.
> > >
> > >FADE OUT.
> > >
> > >
> > >
> > >"The roads were empty!" he recalled in an interview. Roughly seven
> > >hours into the fighting, he turned to the reservist next to him and
> > >asked: "Where’s are those  I.D.F. fucking pussies????"
> > >
> 
> --
> The Starmaker -- To question the unquestionable, ask the unaskable,
> to think the unthinkable, mention the unmentionable, say the unsayable,
> and challenge the unchallengeable.

-- 
The Starmaker -- To question the unquestionable, ask the unaskable,
to think the unthinkable, mention the unmentionable, say the unsayable, 
and challenge the unchallengeable.

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Oct 7th....the movie The Starmaker <starmaker@ix.netcom.com> - 2023-12-30 13:17 -0800
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