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Groups > linux.debian.user > #178439
| From | Curt <curty@free.fr> |
|---|---|
| Newsgroups | linux.debian.user |
| Subject | Re: No sound-inputs but sound recording FMIT |
| Date | 2017-03-05 13:40 +0100 |
| Message-ID | <thDCa-gN-27@gated-at.bofh.it> (permalink) |
| References | <tgVUu-20d-23@gated-at.bofh.it> <th1dw-5N1-19@gated-at.bofh.it> <thhBD-15f-3@gated-at.bofh.it> <tho0q-5DJ-9@gated-at.bofh.it> <thCmJ-7RH-15@gated-at.bofh.it> |
| Organization | Unorganized |
On 2017-03-05, Curt <curty@free.fr> wrote: > On 2017-03-04, deloptes <deloptes@gmail.com> wrote: >> GiaThnYgeia wrote: >> >>> PS Suddenly, the noises in one's head that nobody else hears are >>> recorded by one's only true friend, the PC :)) :))) >> >> Paranormal activities :D >> >> I think it could be some voltage induced by physical contact. >> >> Think logically - if there is no mic or nothing plugged in to your inputs, >> then nothing can be recorded. > > Georges Charpak hypothesized the possibility of restoring the voices of > ancient potters "recorded" in the microscopic grooves of earthenware > deformed by their voices as they worked. > > Interesting idea, anyway. > >> regards >> In case this wasn't clear: we're imagining clay being fashioned upon a potter's wheel, and the striations that occur in the clay as it is molded (which might possibly produce, according to Charpak's conjecture, a sort of analog audio recording of ambient sounds in the finished product, e.g.--"Hey Mosche, got any more of that Egyptian beer we were drinking the other day?" spoken in some obsolete language no one has ever heard before). -- "It might be a vision--of a shell, of a wheelbarrow, of a fairy kingdom on the far side of the hedge; or it might be the glory of speed; no one knew." --Mrs. Ramsay, speculating on why her little daughter might be dashing about, in "To the Lighthouse," by Virginia Woolf.
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No sound-inputs but sound recording FMIT GiaThnYgeia <GiaThnYgeia@openmailbox.org> - 2017-03-03 15:00 +0100
Re: No sound-inputs but sound recording FMIT deloptes <deloptes@gmail.com> - 2017-03-03 20:40 +0100
Re: No sound-inputs but sound recording FMIT GiaThnYgeia <GiaThnYgeia@openmailbox.org> - 2017-03-04 14:10 +0100
Re: No sound-inputs but sound recording FMIT deloptes <deloptes@gmail.com> - 2017-03-04 21:00 +0100
Re: No sound-inputs but sound recording FMIT Curt <curty@free.fr> - 2017-03-05 12:20 +0100
Re: No sound-inputs but sound recording FMIT Curt <curty@free.fr> - 2017-03-05 13:40 +0100
Re: No sound-inputs but sound recording FMIT GiaThnYgeia <GiaThnYgeia@openmailbox.org> - 2017-03-05 21:20 +0100
Re: No sound-inputs but sound recording FMIT Gene Heskett <gheskett@shentel.net> - 2017-03-05 21:30 +0100
Re: No sound-inputs but sound recording FMIT GiaThnYgeia <GiaThnYgeia@openmailbox.org> - 2017-03-05 23:10 +0100
Re: No sound-inputs but sound recording FMIT John Hasler <jhasler@newsguy.com> - 2017-03-05 23:20 +0100
Re: No sound-inputs but sound recording FMIT Gene Heskett <gheskett@shentel.net> - 2017-03-06 01:20 +0100
Re: No sound-inputs but sound recording FMIT John Hasler <jhasler@newsguy.com> - 2017-03-06 02:00 +0100
Re: No sound-inputs but sound recording FMIT cbannister@slingshot.co.nz - 2017-03-27 13:30 +0200
Re: No sound-inputs but sound recording FMIT kAt <giathnygeia@openmailbox.org> - 2017-03-27 17:50 +0200
Re: No sound-inputs but sound recording FMIT Gene Heskett <gheskett@shentel.net> - 2017-03-06 01:10 +0100
Re: No sound-inputs but sound recording FMIT Ric Moore <wayward4now@gmail.com> - 2017-03-03 21:00 +0100
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