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Groups > comp.sys.mac.system > #74054

Re: OT: Converting from Mono to Stereo

Date 2015-04-25 14:11 -0700
From Paul Magnussen <magiconinc@earthlink.net>
Organization Magicon Inc.
Newsgroups comp.sys.mac.system
Subject Re: OT: Converting from Mono to Stereo
References <553bfd31$0$64062$b1db1813$2411a48f@news.astraweb.com>
Message-ID <C72dnbJszpNun6HInZ2dnUU7-X2dnZ2d@earthlink.com> (permalink)

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JF Mezei wrote:
> Hoping someone here would know what tricks to use.
> 
> I have old movie that is mono.  Would like to convert soudntrack to
> stereo or even 5 channels.
> 
> I know how do create the different tracks etc.
> 
> What I do not know is what sort of processing/filters to apply to each
> track to give a multi-channel experience instead of having all tracks
> carrying  identical sounds.
> 
> Any hints ?
> 
> I did this with a song from the Sydney olympics which was recorded mono
> and added very light time delay on one track to give a stereo effect,
> but that worked because it had a "stadium" feel to the song to begin with.
> 
> Just wondering what other tricks exist to professionally give a stereo
> or multi track effects from a single track ?

Disclaimer: this isn't an expert opinion (although I could probably get 
one for you if you want to go ahead), just that of someone who remembers 
the days of "electronically rechannelled to stimulate stereo".

As I'm sure you know, you can't produce true stereo from a mono signal. 
  There were two basic techniques: adding delay or reverb in the manner 
you mention, to obviate the impression of listening through a hole in 
the wall; and partitioning the signal across the stereo image.

One way of doing the latter, for example, was using high-and low-pass 
filters on an orchestral piece, so that the violins seem to come from 
one channel and the basses from the other.  (If used indiscriminately 
this technique could backfire: as, for instance on the rechannelled 
version of the Patience and Prudence hit "Gonna get Along Without You 
Now", wherein the pianist plays a run from high to low and the piano 
seems to go whizzing across the room.)

The best results I've heard with this technique were on Sinatra's '50s 
recordings.

But presumably, if you're editing dialogue, you could place the 
participants on different sides of the screen?  It would be a lot of 
work though.

Hope this helps.

Paul Magnussen

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Thread

OT: Converting from Mono to Stereo JF Mezei <jfmezei.spamnot@vaxination.ca> - 2015-04-25 16:46 -0400
  Re: OT: Converting from Mono to Stereo nospam <nospam@nospam.invalid> - 2015-04-25 17:05 -0400
    Re: OT: Converting from Mono to Stereo isw <isw@witzend.com> - 2015-04-25 21:10 -0700
      Re: OT: Converting from Mono to Stereo JF Mezei <jfmezei.spamnot@vaxination.ca> - 2015-04-26 02:01 -0400
  Re: OT: Converting from Mono to Stereo Paul Magnussen <magiconinc@earthlink.net> - 2015-04-25 14:11 -0700
    Re: OT: Converting from Mono to Stereo Warren Oates <warren.oates@gmail.com> - 2015-04-25 17:23 -0400
      Re: OT: Converting from Mono to Stereo JF Mezei <jfmezei.spamnot@vaxination.ca> - 2015-04-25 17:54 -0400
        Re: OT: Converting from Mono to Stereo nospam <nospam@nospam.invalid> - 2015-04-25 17:57 -0400
        Re: OT: Converting from Mono to Stereo Warren Oates <warren.oates@gmail.com> - 2015-04-25 18:03 -0400
      Re: OT: Converting from Mono to Stereo billy@MIX.COM - 2015-04-27 16:08 +0000

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