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Groups > comp.sys.mac.system > #74054
| Date | 2015-04-25 14:11 -0700 |
|---|---|
| From | Paul Magnussen <magiconinc@earthlink.net> |
| Organization | Magicon Inc. |
| Newsgroups | comp.sys.mac.system |
| Subject | Re: OT: Converting from Mono to Stereo |
| References | <553bfd31$0$64062$b1db1813$2411a48f@news.astraweb.com> |
| Message-ID | <C72dnbJszpNun6HInZ2dnUU7-X2dnZ2d@earthlink.com> (permalink) |
JF Mezei wrote: > Hoping someone here would know what tricks to use. > > I have old movie that is mono. Would like to convert soudntrack to > stereo or even 5 channels. > > I know how do create the different tracks etc. > > What I do not know is what sort of processing/filters to apply to each > track to give a multi-channel experience instead of having all tracks > carrying identical sounds. > > Any hints ? > > I did this with a song from the Sydney olympics which was recorded mono > and added very light time delay on one track to give a stereo effect, > but that worked because it had a "stadium" feel to the song to begin with. > > Just wondering what other tricks exist to professionally give a stereo > or multi track effects from a single track ? Disclaimer: this isn't an expert opinion (although I could probably get one for you if you want to go ahead), just that of someone who remembers the days of "electronically rechannelled to stimulate stereo". As I'm sure you know, you can't produce true stereo from a mono signal. There were two basic techniques: adding delay or reverb in the manner you mention, to obviate the impression of listening through a hole in the wall; and partitioning the signal across the stereo image. One way of doing the latter, for example, was using high-and low-pass filters on an orchestral piece, so that the violins seem to come from one channel and the basses from the other. (If used indiscriminately this technique could backfire: as, for instance on the rechannelled version of the Patience and Prudence hit "Gonna get Along Without You Now", wherein the pianist plays a run from high to low and the piano seems to go whizzing across the room.) The best results I've heard with this technique were on Sinatra's '50s recordings. But presumably, if you're editing dialogue, you could place the participants on different sides of the screen? It would be a lot of work though. Hope this helps. Paul Magnussen
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OT: Converting from Mono to Stereo JF Mezei <jfmezei.spamnot@vaxination.ca> - 2015-04-25 16:46 -0400
Re: OT: Converting from Mono to Stereo nospam <nospam@nospam.invalid> - 2015-04-25 17:05 -0400
Re: OT: Converting from Mono to Stereo isw <isw@witzend.com> - 2015-04-25 21:10 -0700
Re: OT: Converting from Mono to Stereo JF Mezei <jfmezei.spamnot@vaxination.ca> - 2015-04-26 02:01 -0400
Re: OT: Converting from Mono to Stereo Paul Magnussen <magiconinc@earthlink.net> - 2015-04-25 14:11 -0700
Re: OT: Converting from Mono to Stereo Warren Oates <warren.oates@gmail.com> - 2015-04-25 17:23 -0400
Re: OT: Converting from Mono to Stereo JF Mezei <jfmezei.spamnot@vaxination.ca> - 2015-04-25 17:54 -0400
Re: OT: Converting from Mono to Stereo nospam <nospam@nospam.invalid> - 2015-04-25 17:57 -0400
Re: OT: Converting from Mono to Stereo Warren Oates <warren.oates@gmail.com> - 2015-04-25 18:03 -0400
Re: OT: Converting from Mono to Stereo billy@MIX.COM - 2015-04-27 16:08 +0000
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