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Serial Number Rave Report 876

Newsgroups comp.lang.javascript
Date 2023-12-22 08:17 -0800
Message-ID <bbfaa855-569f-40b6-8893-a47026ea37dbn@googlegroups.com> (permalink)
Subject Serial Number Rave Report 876
From Kasie Wenck <kasiewenck@gmail.com>

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When rendering reports in rave, I can set paper size in RvNDRWriterBeforePrint with (Sender as TBaseReport).SetPaperSize.In stead of hard coding the paper size, I would rather extract the designed PageHeight and PageWidth from the report definition.How do I get access to those?


I wonder why this does not work out of the box. My report is a 75x75mm (custom) label, but when it enters RvNDRWriterBeforePrint, the TBaseReport page dimensions corresponds to standard Letter size, and when I select printer and bin, it is changed to the printers default size.



Serial Number Rave Report 876

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As you know, Embarcadero RAD Studio XE2 is coming with the special edition of FR4. Many people have been asking us: is it possible to convert Rave reports (.rav files) to Fast reports (.fr3 files)? It is possible, because we have developed a convertor from Rave reports for this purpose. 

 

How to convert a .rav file 

 

From a user's point of view, to convert a .rav file no special actions needed: just click File > Open in the main menu of the designer and then choose a .rav file. If you are a developer and want to know how to enable the ability to import .rav files, then consider this code: 

 



Code


Once this program is launched, the report designer appears and its File > Open dialog will offer to open .rav files as well as .fr3 files. Note, that in order to compile this program, you need to have Rave installed, or just have its .pas or .dcu files available to the compiler. 

 

What Rave reports can be imported 

 

The convertor supports the most of components that can appear in a Rave report, including database connections. Those Rave components that have no direct representation in Fast Reports, are converted to components with the closest behaviour. Here is an example of a complex Rave report converted to an .fr3 file:


The process of importing 

 

When you click the File > Open menu item and choose a .rav file, the convertor at first checks how many reports are inside the file. If there are several reports inside the file - Rave allows to have multiple reports in a single file - then each report will be converted to a fr3 file and the convertor will ask to choose a folder where all these .fr3 files can be saved:


As you know, Embarcadero RAD Studio XE2 is coming with the special edition of FR4. Many people have been asking us: is it possible to convert Rave reports (.rav files) to Fast reports (.fr3 files)? It is possible, because we have developed a convertor from Rave reports for this purpose. 

 

How to convert a .rav file 

 

From a user's point of view, to convert a .rav file no special actions needed: just click File > Open in the main menu of the designer and then choose a .rav file. If you are a developer and want to know how to enable the ability to import .rav files, then consider this code: 

 



Code


Although crack cocaine abuse appears to be leveling off or subsiding, it will continue to be the most significant drug problem in Louisiana. Crack sales by street gangs and the attendant violence are spreading from large urban areas to suburban and rural areas. Law enforcement sources throughout Louisiana report that violent crime associated with the sale and abuse of crack cocaine is a serious problem. Some law enforcement personnel in Louisiana suggest an upsurge in the use of powdered cocaine among young people aged 16 to 25.


Heroin abuse, after increasing to alarming levels in New Orleans, is already expanding beyond the limits of the inner city. A growing category of young, Caucasian, suburban heroin users in the greater New Orleans metropolitan area provide a market that is ripe for exploitation. Market competition will continue to drive purity higher and prices lower, making heroin appealing to a growing number of people. The spread of blood-borne diseases such as AIDS and hepatitis C will inevitably increase, as intravenous users continue to share their "works" (injection paraphernalia). As the New Orleans distribution market becomes saturated, distributors will expand into larger neighboring cities in a search for new customers.






Methamphetamine availability and production are growing rapidly in Louisiana, especially in the north. If other states in the region such as Arkansas and Missouri are a guide, the growth in the number of methamphetamine laboratories in Louisiana poses a serious threat to abusers, law enforcement personnel, and the environment. Methamphetamine is the most significant drug threat in many rural areas in the north, due to the increased use of the Nazi method of production. Methamphetamine abuse in New Orleans may increase as the drug becomes more popular in rave circles.


Club drugs such as MDMA, GHB, LSD, and ketamine represent a rapidly growing threat. Police throughout the state report that MDMA is no longer simply a rave drug, but is gaining wider use among young people.


The diversion of powerful prescription pharmaceuticals such as OxyContin, Vicodin, Soma, and Valium will continue to increase. Police throughout the state identify this as a problem that has arrived in full force and is continuing to grow. Users and distributors are burglarizing pharmacies increasingly to obtain the drugs. Police also report more people are purchasing these drugs in Mexico, where a prescription is generally not required. To Top To Contents To Previous Page To Sources


These limited results suggest advisors are providing students with effective academic advising, including helping student navigate degree requirements and create course schedules. The results also suggest that advisors could improve how they advise students about campus support resources, including providing information about the Counseling Center, the Disability Resource Center, tutoring, and Career Services. Finally, the results also suggest advisement could be improved by reducing the number of advisees assigned to each advisor, enabling advisors to spend more time with advisees.


When my co-founder Mark came to me in the Spring of 1990 with a crazy suggestion to start a magazine on computer graphics, I had a different and very personal vision of what it should encompass. I was part of a fledgling underground scene, and I knew, even back then, that documentation was essential. I wanted to capture this culture in a legitimate and high-quality way, so our story would endure in all its glory. The URB blueprint was a snapshot of my brain at the time, reflecting this brave new world.


We moved out of our Wilshire Blvd. offices\u2014once a sign that we\u2019d made it as real publishers\u2014and back into my home, albeit now a house and not a studio apartment. With the help of committed volunteers, we continued to publish online for the next few years, but my company had dissolved, and I was out of money. Outwardly, I put on a brave, even optimistic face, writing this editorial and trumpeting the re-imagined URB.com, but inside, this felt like the ultimate personal failure.


\u201CI couldn\u2019t have remotely imagined [the Internet] when URB began. But looking back, we were shifting our own paradigms of the day. For our readers, we were a de facto blog long before the term would be born. Our pages were the first to spread the word about emerging bands, artists, and DJs. The record reviews we printed shifted album sales much like a Pitchfork review moves the iTunes needle today. Our club and event pages were The Cobra Snake of their time. And we were a rowdy town hall, from our letters pages to our rant-ready voicemail number, where readers would spout off about last night\u2019s party . . . URB Magazine was where the coolest kids spent their time.\u201D


The URB Archive, which has existed publically only as a splash page for the past several years (or on eBay), should become part of the permanent record, lest it is left to educated guesses by well-meaning scholars or cultural charlatans who never set foot in a rave. I\u2019m interested in celebrating what we collectively built by protecting its history. Admittedly the \u201Chow\u201D is still a work in progress, but I believe this Substack is a meaningful first step.


What\u2019s in the archive? For starters, every print issue from December 1990 onward. Thousands of photographs from reader-submitted scene snaps to curated pictorials and artist portraits by some of the best image makers in print. Early-\u201990s rave reports that live only on our oversized newsprint pages. First cover stories on DJ Shadow, Moby, Fugees, Black Star, Diplo, Goldie, Janelle Mon\u00E1e, and numerous others. Thousands of articles\u2014including those by Oscar winner Joseph \u201CJazzbo\u201D Patel, authors Jeff Chang, Hua Hsu, and Oliver \u201CO-Dub\u201D Wang, plus myself and countless other contributors who left their imprint by witnessing and capturing moments and ideas.

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Serial Number Rave Report 876 Kasie Wenck <kasiewenck@gmail.com> - 2023-12-22 08:17 -0800

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