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Twelve Years A Slave Pdf Download

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Date 2024-01-04 13:36 -0800
Message-ID <7c3f7023-9c33-4eff-a42b-1abbcb271ccdn@googlegroups.com> (permalink)
Subject Twelve Years A Slave Pdf Download
From Ilia Zable <iliazable@gmail.com>

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Twelve Years a Slave is an 1853 memoir and slave narrative by Solomon Northup as told to and written by David Wilson. Northup, a black man who was born free in New York state, details himself being tricked to go to Washington, D.C., where he was kidnapped and sold into slavery in the Deep South. He was in bondage for 12 years in Louisiana before he was able to secretly get information to friends and family in New York, who in turn secured his release with the aid of the state. Northup's account provides extensive details on the slave markets in Washington, D.C., and New Orleans, and describes at length cotton and sugar cultivation and slave treatment on major plantations in Louisiana.


The work was published eight years before the Civil War by Derby & Miller of Auburn, New York,[1] soon after Harriet Beecher Stowe's best-selling novel about slavery, Uncle Tom's Cabin (1852), to which it lent factual support. Northup's book, dedicated to Stowe, sold 30,000 copies, making it a bestseller in its own right.[3]



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After being published in several editions in the 19th century and although later cited by specialist scholarly works on slavery in the United States, the memoir fell into public obscurity for nearly 100 years. It was re-discovered on separate occasions by two Louisiana historians, Sue Eakin (Louisiana State University at Alexandria) and Joseph Logsdon (University of New Orleans).[4] In the early 1960s, they researched and retraced Solomon Northup's journey[5] and co-edited a historically annotated version that was published by Louisiana State University Press (1968).[6]


In his home town of Saratoga Springs, New York, Solomon Northup, a free negro and a skilled carpenter and violinist, was approached by two circus promoters, Brown and Hamilton. They offered him a brief, high-paying job as a musician with their traveling circus. Without informing his wife, who was away at work in a nearby town, he traveled with the strangers to downstate New York and Washington, D.C. Soon after arriving in the capital, he awoke to find himself drugged, bound, and in the cell of a slave pen. When Northup asserted his rights as a free man, he was beaten by slave trader James H. Birch and warned to never again mention his free life in New York.


Transported by ship to Theophilus Freeman's slave jail in New Orleans, Northup and other enslaved black people contracted smallpox and one died. In transit, Northup implored a sympathetic sailor to send a letter to his family. The letter arrived safely, but, lacking knowledge of his final destination, Northup's family was unable to effect his rescue.


Northup's first owner was William Prince Ford, who ran a lumber mill on a bayou of the Red River.[8] Northup subsequently had several other owners, less humane than Ford, during his twelve-year bondage. At times, his carpentry and other skills contributed to his being treated relatively well, but he also suffered extreme cruelty. On two occasions, he was attacked by John Tibeats, a white man he was leased to, and defended himself, for which he suffered severe reprisals. After about two years of enslavement, Northup was sold to Edwin Epps, a notoriously cruel cotton planter. Epps held Northup enslaved for 10 years, during which time he assigned the New Yorker to various roles from cotton picker, to hauler to driver, which required Northup to oversee the work of fellow slaves and punish them for undesirable behavior. While on Epps' plantation, Northup became friends with a slave girl named Patsey, whom he writes about briefly in the book.


After being beaten for claiming his free status in Washington, D.C., Northup in the ensuing 12 years did not reveal his true history again to a single person, slave or owner. Finally he confided his story to Samuel Bass, a white carpenter and abolitionist from Canada working at the Epps plantation (to build the Edwin Epps House). Bass, at great risk to himself, sent letters to Northup's wife and friends in Saratoga. Parker, a white shopkeeper, received one of the letters and sought assistance from Henry B. Northup, a white attorney and politician whose family had held and freed Solomon Northup's father and with whom Solomon had a longtime friendship. Henry contacted New York state officials. As the state had passed a law in 1840 to provide financial resources for the rescue of citizens kidnapped into slavery, the Governor appointed Henry Northup as an agent to travel to Louisiana and work with law enforcement to free Solomon. Once in Louisiana, Henry Northup hired a local Avoyelles Parish attorney, John P. Waddill, to assist in securing Solomon Northup's freedom.[9] After a variety of bureaucratic measures and searches were undertaken, the attorney succeeded in locating Solomon and freeing him from the plantation. Northup later filed charges against the men who sold him into slavery but was unsuccessful in his suit. He returned to New York and reunited with his family there.


My narrative is at an end. I have no comments to make upon the subject of Slavery. Those who read this book may form their own opinions of the "peculiar institution." What it may be in other States, I do not profess to know; what it is in the region of Red River, is truly and faithfully delineated in these pages. This is no fiction, no exaggeration. If I have failed in anything, it has been in presenting to the reader too prominently the bright side of the picture. I doubt not hundreds have been as unfortunate as myself; that hundreds of free citizens have been kidnapped and sold into slavery, and are at this moment wearing out their lives on plantations in Texas and Louisiana. But I forbear. Chastened and subdued in spirit by the sufferings I have borne, and thankful to that good Being through whose mercy I have been restored to happiness and liberty, I hope henceforward to lead an upright though lowly life, and rest at last in the church yard where my father sleeps.






Questions were often raised about accuracy or authenticity of books about slavery, including slave narratives. Similarities between Northup's book and Harriet Beecher Stowe's novel Uncle Tom's Cabin have been noted by critics. Stowe's book was published a year before Northup's memoir but by the time she published her rebuttal to critics about accuracy in her A Key to Uncle Tom's Cabin, she referred to his story, which had been publicized in newspaper accounts. Stowe wrote,


Northup's account confirms Stowe's fictional portrayal of conditions in Louisiana, as the area where Northup was enslaved was close to the fictional setting of Simon Legree's plantation on the Red River. Northup expresses other arguments against slavery. For instance, Uncle Tom's Cabin focuses on how the legal system prevents even kind owners from treating slaves well and how it releases cruel owners from liabilities for their treatment of slaves.[12]


Such themes appear in Northup's narrative, too. Writing about this work, Eric Herschtal noted that "Slave narratives were never intended to give an unbiased view. They were antislavery polemics meant to bring down the institution."[13] The fact that these works had a purpose was similar to other published works.[13]


Herschtal emphasizes that Northup expressed compassion in his account, quoting him: "It is not the fault of the slaveholder that he is cruel," Northup writes, "so much as it is the fault of the system under which he lives."[13]Northup's first-person account of his twelve years of bondage captured attention in the national political debate over slavery that took place in the years leading up to the Civil War. It drew endorsements from major Northern newspapers, anti-slavery organizations, and evangelical groups. It "sold three times as many copies as Frederick Douglass's slave narrative in its first two years."[13]


Northup's account describes the daily life of slaves at Bayou Boeuf in Louisiana, their diet and living conditions, the relationship between master and slave, and the means that slave catchers used to recapture runaways. His account shares some details similar to those of authors who were escaped slaves, such as Frederick Douglass, Harriet Jacobs, and William Wells Brown. However, Northup was unique in documenting his being kidnapped as a free man from the North and sold into slavery. His perspective was always to compare what he saw to what he knew before while living as a free man in a free state. While there were hundreds of such kidnappings, he was among the few persons who gained freedom again.[3]


Early and mid-twentieth century historians of slavery, Kenneth Stampp, Stanley Elkins, and Ulrich Bonnell Phillips, endorsed the historical accuracy of the book. Eakin and Logsdon in 1968, wrote: "In the last analysis, [the] narrative deserves to be believed, not simply because [Northup] seems to be talking reasonably, not merely because he adorns his tale with compelling and persuasive details. At every point where materials exist for checking his account, it can be verified." These materials include trial records, correspondence, diary, and slave sale records.[14]


Years later, Logsdon had a student from an old Louisiana family who brought a copy of the original 1853 book to class; her family had owned it for more than a century. Together Logsdon and Eakin studied Northup's account, documenting it through the slave sales records of Washington, D.C., and New Orleans, by retracing his journey and bondage in Bayou Boeuf plantation country in central Louisiana and through its records, and documenting his New York State origins. They found his father's freeman's decree, and the case files for the legal work that restored Northup's freedom and prosecuted his abductors. In 1968, Eakin and Logsdon's thoroughly annotated edition of the original book was published by Louisiana State University Press, shedding new light on Northup's account and establishing its historic significance. That book has been widely used by scholars and in classrooms for more than 40 years, and is still in print.

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