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| From | Anton Shepelev <anton.txt@gmail.com> |
|---|---|
| Newsgroups | sci.physics.acoustics |
| Subject | Re: Stereo Microphone Placement |
| Date | 2017-01-11 16:23 +0300 |
| Organization | A noiseless patient Spider |
| Message-ID | <20170111162354.f37715f5ef0d7bde0c5ef467@gmail.com> (permalink) |
| References | <fmmck-61D296.13043319082014@5ad64b5e.bb.sky.com> <lti7h4$k86$1@panix2.panix.com> |
Scott Dorsey to Fred McKenzie:
> > I am attempting to set up a couple of micro-
> > phones to record an Orchestra performance. In
> > order to achieve a stereo effect, it was my im-
> > pression that the microphones should be spaced
> > several feet apart, one on each side of the cen-
> > ter of the stage.
>
> This is called A-B stereo.
Only if the microphones are omnidirectional and
placed closer together, usually about 20-30 cm,
which is about the ear-to-ear distance. The musi-
cians are positioned within a 40-degree angle. One
may achieve it by varying the distance.
Other combinations of distance and microphone spac-
ing are possible, but then you risk to get nasty
comb filtering or poor spatial impression:
S = L * sqrt( 1 + ( 2d/w )^2 )
where S is microphone spacing, d the distance to the
source, w the width of the source, and L the
wavepath that crates a phase difference perceived as
the location of the source directly to the left or
right. It may be estimted from the recommendation
above:
25 * sin 20 = 8.55 (cm)
> It gives you some intensity imaging but no phase
> imaging because the phase differences between the
> channels are too great for the brain to make sense
> of them. It was very popular back in the 1950s
> and 1960s when good directional microphones did
> not exist and omnis were the order of the day.
True A-B technique (with smaller spacing) is purely
phase-based stereo, which is the only right kind of
stereo because it imitates human hearing. Another
great phase-based technique is SASS, which does not
suffer from the A-B limitations mentioned above.
But unfortunatly the overwhelming majority of
mordern recordings are made using polymicrophone
technique and consequenty intensity-based stereo.
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Back to sci.physics.acoustics | Previous | Next — Next in thread | Find similar
Re: Stereo Microphone Placement Anton Shepelev <anton.txt@gmail.com> - 2017-01-11 16:23 +0300
Re: Stereo Microphone Placement Fred McKenzie <fmmck@aol.com> - 2017-01-11 12:06 -0500
Re: Stereo Microphone Placement kludge@panix.com (Scott Dorsey) - 2017-01-11 14:03 -0500
Re: Stereo Microphone Placement Fred McKenzie <fmmck@aol.com> - 2017-01-12 11:39 -0500
Re: Stereo Microphone Placement Anton Shepelev <anton.txt@gmail.com> - 2017-01-12 19:35 +0300
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